The Ekefrey Collection
statement.
To view other artworks that are not in The Ekefrey Collection, please visit Erikan Art
Father & Son
Emmanuel Ekong Ekefrey
"Colour beautifies the world. African masks are seen as an element of ugliness; my role is to use vibrant colours to beautify what is termed as ugly." - Emmanuel Ekong Ekefrey
Born in 1952 into a lineage of men with the gift of artistry, I have always been inspired by my father who was the finest wood carver in Ikot-Ukap. As a young boy, running around barefoot on the streets of Ndiya village, I played around with charcoal and drew line expression on sand. This has metamorphosized over the years into delicate forms on canvas. My themes are a reflection of common events within the society. My paintings have a signature of "gigantism" a term that I employ to occupy every useful space in my canvas to draw viewers into deeper engagement with my paintings. With my lens on my Ibibio cultural roots, my work celebrates the aesthetics of the ancestral masks of my people with keen emphasis on Ekpe masquerade and the Abang maiden dancers.
I have exhibited my works in major galleries around the world: France, USA, Denmark, Germany, Mexico, Venezuela, and my Fatherland, Nigeria, to mention a few.
Erikan Ekefrey
Through a distinct African style of narration, my paintings depict cultural heritage and traditions using vibrant colors and lyrical forms which are both figurative and abstract that I often use mask-like faces.
I am influenced by my father who is also a renowned artist. He is inspired by his father who was a sculptor in carving wooden images and masquerade masks. My style is afro cubism. I outline my images with black lines and design African motif patterns between spaces. I use colors to symbolize events and depict traditions using earth tones and colors that are complementary or Analogous color in nature.
I am inspired by music, dance, cultural activities, traditional ceremonies and everyday life through color and symbolism. My paintings celebrate the power of traditions and give homage to the spiritual connection between the land and the people.
My art is conceptual. When I am creating, I am not the only one painting in front of the canvas. There is an inner man that is always directing me and guiding my brush strokes allowing images to flow with huge excitement. I am an artist because God created the world and made everything, so He instilled in me the power to create beautiful paintings for the world to see. I am continuing what my ancestors started by bringing African (Nigeria) art to the world through sharing the rich narrative of my culture, heritage and community.
To view other artworks that are not in The Ekefrey Collection, please visit Erikan Art
biography.
Emmanuel Ekong Ekefrey
Emmanuel Ekong Ekefrey, born in 1952 in Ndiya, Akwa Ibom, Nigeria, is a distinguished self-trained artist who has emerged as a significant figure in the contemporary art scene, particularly known for his vibrant and dynamic paintings. A proud member of the Ibibio ethnic group, which is renowned for its rich traditions in music, dance, painting, and sculpture, Ekefrey's works not only reflect the cultural heritage of his ancestry but also the bustling life of the metropolis of Lagos, where he currently resides and creates. Ekefrey's artistic journey has been deeply influenced by the teachings and legacy of his ancestors. Growing up as the son of a renowned carver, he developed a profound appreciation for the artistic expressions inherent in his Ibibio culture. Despite this strong cultural foundation, he has charted his own path since 1979, creating a unique style he refers to as "Uyai (Beautiful) Art." This self-defined approach is characterized by the innovative "all-over" painting technique, where paint is applied to large, unstretched canvases laid flat on the ground. This method allows for a fluid application of shapes, figures, lines, and colors, producing an exhilarating dynamism that captivates viewers.
The hallmark of Ekefrey's work lies in its intricate complexity. His large-scale canvases are filled with a profusion of forms that often evoke a sense of movement, guiding the viewer's eye across the artwork. This visual journey is designed to immerse the observer, creating a multi-dimensional experience that transcends the conventional boundaries of painting. The absence of a defined horizon line further enhances this effect, inviting deep engagement and contemplation. His artistic artwork has garnered significant recognition, with exhibitions held in notable art centers across Europe, the USA, and Mexico. Ekefrey's work has been showcased in prestigious venues such as the Museum of African Contemporary Art Al Maaden (MACAAL) and has been included in numerous group exhibitions that highlight African art's global relevance. Beyond his exhibitions, Ekefrey’s contributions to the art world extend to publications, including features in "French Revolution, a Nigerian Perspective," co-authored by Emeka Nwokedi and Jean-Pascal Daloz in 1990, paintings featured in Nobel Prize African novelist Abdulrazak Gurnah books for cover art in 2021, and "A King's Passion: A 21st-Century Patron of African Art" by Sandra Mbanefo Obiago in 2024, to name a few.
Ekefrey’s passion for art is driven by his commitment to glorify African culture and its narratives. He believes that every individual possesses a unique gift that deserves to be nurtured and expressed freely. His paintings are not merely aesthetic pursuits; they serve as a dialogue with the community, reflecting contemporary life while honoring the rich cultural tapestry of the Ibibio people and the broader African context. In addition to his painting career, Ekefrey has received accolades for his contributions to art and culture, including awards from various art festivals. His work continues to resonate with audiences both locally and internationally, affirming his role as a pivotal figure in the promotion of African art on the global stage. Emmanuel Ekong Ekefrey remains an influential voice in contemporary art, constantly exploring the intersection of culture, identity, and modernity through his innovative artistic expressions.
resume.
Emmanuel Ekong Ekefrey
SOLO EXHIBITIONS
2021
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Thought Pyramid Art Centre – “Masked Faces” – Lagos, Nigeria
2008
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Alliance Française – Lagos, Nigeria
2006
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Alliance Française – Lagos, Nigeria
2002
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Nimbus Art Gallery – “Surviving The Inferno” – Lagos, Nigeria
2001
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French Cultural Centre – Lagos, Nigeria
2000
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French Cultural Centre – Lagos, Nigeria
1997
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Signature Gallery – Lagos, Nigeria
1995
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Le Vallon du Villaret – Bagonols-les -bains, France
1994
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Dany Keller Galerie – Eichelhardt, Germany
1991
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Espace Paul Boye – Sete, France
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Binoche et Godeau Gallery – Paris, France
1990
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French Cultural Centre – Lagos, Nigeria
1989
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"Deutsch Nigerianischen Gesellschaft e.V." – Bonn, Germany
1988
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Goethe Institut – Lagos, Nigeria
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Square Gallery – "Champ de Mars" – Angoulême, France
1986
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French Cultural Centre – Cotonou, Benin
1985
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French Cultural Centre – Lagos, Nigeria
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Goethe Institut – Lagos, Nigeria
GROUP EXHIBITIONS
2019
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African Art – Kenya
2010
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Alliance Française – Lagos, Nigeria
2008
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Alliance Française – "Expresiones Africanas" - Margarita Island – Caracas, Venezuela
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International Art and Culture Festival – Gallery Sigvardson – Rødby, Demark
2007
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Dany Keller Galerie – "African Stories" – Eichelhardt, Germany
2001
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French Cultural Centre – Lagos, Nigeria
2000
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Elf Village – Port Harcourt, Nigeria
1999
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Elf Village – Port Harcourt, Nigeria
1998
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Goethe Institut – Lagos, Nigeria
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Elf Village – Port Harcourt, Nigeria
1997
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Signature Art Gallery – Lagos, Nigeria
1996
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Venetian Gallery – Madrid, Spain
1995
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Le Vallon du Villaret – Bagnols-les-Bains, France
1993
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African Biennale of Plastic Arts – Abidjan, Ivory Coast
1992
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Cultural Center and Contemporary Art Museum – Mexico City, Mexico
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Groninger Museum – Groningen, Netherlands
1991
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Atlantic Centre of Modern Art – Las Palmas de Gran Canaria, Spain
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African Art – Copenhagen, Denmark
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Espace Paul Boye – Sète, France
1990
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French Cultural Centre – Lagos, Nigeria
1989
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Nigerian Artists and the French Revolution – Lagos, Nigeria
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Won “The Best Overall” Nigerian Artist in the French Revolution Contest – Lagos, Nigeria
1988
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Champ de Mars Square Gallery – Solo painter of the Festival Luxurious Bus – Angoulême, France
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2nd Cosmopolitan Art Exhibition – Los Angeles, California, USA
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Angoulême International Comics Festival – Angoulême, France
1986
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French Cultural Centre – Cotonou, Benin, West Africa
1985
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French Cultural Centre – Lagos, Nigeria